Wednesday, March 30, 2005

Piano lessons

Dear Diary,

I'm not sure what's going on with the Beethoven. Some days I can't even play it. Some days it's so fun and easy that I think I must be hallucinating.

I made a recording last week and am listening to it right now. Even as I listen I find myself fading in and out. There are so many wrong notes, but sometimes I can't even hear them. And there are strangely virtuosic passages, but sometimes I can't hear them either.

And I always wonder why I'm playing it. For all this time I've spent, I don't even have one complete song I can play, much less from memory. Do you know I once met someone who thought that playing the piano was inconsistent with my personality type? Piano playing and data entry.

Diary, do you remember your piano lessons?

Diary, what could you have been?

Diary, could you have been?

Or is it wrong, diary, for you to choose something so small?

Diary, more than your own you remember your brother's piano lessons. While he tried to bend his fingers to another's will, you built bark houses in the dirt and your mother dreamed on a slow swing.

Tuesday, March 29, 2005

This lush island within an island

I miss you when you're gone.

I'm watching Jessye Norman sing Ariadne right now. You don't love her yet. I've only begun to love her recently. I'm not sure when I bought that CD of her singing the Schoenberg cabaret songs (Brettl-Lieder, they might be called), but certainly I began to love her then. And now I see her here in our very living room, and she is a force, ein echtes Etwas, who sings, even now, "One thing grows so easily into another."

Here she is majestic, the pinnacle of diva. Everything is large: a large dress covering a large body supporting a large head that is wholly large lips opening to reveal a large mouth. Overwhelming here on the screen; she and the director make love. He wants us to see how the sweat gathers in the furrows of her forehead and rolls down the right side of her nose. We see the vertical scar in her left cheek.

In another universe I am watching this alone in a shack on a hill. I have pushed my second-hand laptop out of the way to make space for a bowl of vegetable-beef soup. My hand hovers between the spoon and the unlit cigarette resting against its used brothers on a small stained plate I use as an ashtray.

But I pause as Ariadne sings, Ariadne who has been abandoned here by Theseus and longs for death:

Du wirst mich befreien,
Mir selber mich geben,
Dies lastende Leben,
Du nimm es von mir,
An dich werd ich mich ganz verlieren,
Bei dir wird Ariadne sein.


You will set me free. You will deliver me unto myself. You will take this burdensome live from me, and I will lose myself in you completely. Ariadne will be with you.

Brighella, Scaramuccio, Harlequin, and Truffaldino appear, but it is too much. I light the cigarette.

The smoke scalds my throat.
The soup soothes my throat.
The smoke scalds my throat.
The soup soothes my throat.

Silence follows the aria. A dog snuffles near the door.

I should mention that Ariadne is an opera-within-an-opera in which the richest man in Vienna has commissioned two bits of entertainment for his aristocratic guests: a serious opera titled Ariadne auf Naxos by an ernest and depressed young composer, and a comedy by a troupe of singers and dancers known as Zerbinetta and her Four Paramours. At the last minute the host decides that the two pieces must be performed simultaneously.

And Ariadne becomes not just an examination of the formal versus the chaotic, the civilized versus the wild, or even the mental versus the physical (all of which can also be said about Death in Venice). Ariadne is also a study of doom-and-gloom versus vim-and-vigor—of, really, death-orientation and life-orientation. And that's really what it's all about, isn't it? We can be hell-bent on destruction, or we can be hell-bent on creation.

There's no telling how much longer I might have kept eating soup and smoke.

Wie schaffst du die Verwandlung? mit den Händen? mit deinem Stab?
How do you effect the transformation? With your hands? With your staff?

It's more complicated than that, of course.

Bacchus sings:
Durch deine Schmerzen bin ich reich,
Nun reg ich die Glieder in göttlicher Lust!
Und eher sterben die ewigen Sterne,
Eh denn du stürbest aus meinem Arm!


Through your pain I am made rich;
my limbs move with divine joy!
And may the eternal stars die
before you die in my arms!

Friday, March 25, 2005

Sex dreams, part two



It is 3:45 on the morning of 23 July 1993. I am awake after a dream in which my guilt defeated me. It was a typical dream, though of a sort I had not had in a long time. I was pursuing my sexual desires knowing that I was dreaming. An ever present conflict to the dreaming me is, "What if the people in my dream whom I have sex with find out?"

In this dream I was in some extended bathroom and locker room. I was walking around, looking for people. Persons of all sorts were there—lots of classmates from school. Finally I ran across one person in particular. He was my own concoction. He was very tall, with short brown hair and a gregarious face not quite unlike Cameron's in Ferris Bueller. He had caught my gaze nearly before I had his, so I thought that he might be gay.

Around him stood various guys from school, but nevertheless—having done this many times before—I said, "Take off your clothes." He questioned me, but then removed his shirt, which revealed an ideal chest—like mine but even less healthy. I kissed his chest and asked if he liked that. He did. I asked him to continue taking his clothes off, so eventually he was completely nude. I was further excited because his penis was perfect as well—really rather short but not small. And I was generally happy at the prospect of this smiling fellow, happy like I was after that first Saturday with Chris.

But my conscience crept. I became aware of the memories that after similar dream instances I had walked into my room to find an exaggeratedly severe person or persons there to criticize me. At one point there was a foreboding group who make me think of a group of homophobes who might physically attack me on the streets.

I knew I would have to go because I was causing a stir in the bathroom. I asked him his name; I knew it several moments after I woke but now it is only "Walter Bally" vaguely. The first name could have been Edward. Here I lost perspective. I intended to take the name to look it up when I woke, and my brother Jeff entered the locker room, snatching the name and threatening to do something about my unnatural actions.

To escape my brother I went to my room. I pushed the door open, but it stopped as if someone were behind the door. At the same time there was a great flash of white light, then darkness. The person came out, but rather another voice said, "DO YOU KNOW WHO IS HERE NOW?" Volumes of books were revealed to me. With a gesture, "EVERYONE—EVERY LIVING SOUL!"

It was my judgment day. I was terrified.

* * *

I woke, nearly too frightened to move. Finally I did, leaping from the bed and going to the bathroom. I came back to my room, still uneasy, and noticed flashing lights outside my window. I had to go to my parents. "Mom, dad, is anything strange happening?" They told me that the power had been off and that the light was probably a working truck, which it was.

1987, Some Days in September

September 3, 1987
Today I went to Rusty's house. We had a lot of fun. We played the computer. We played Sky Fox and The Print Shop Companion. After that we played 'Dodge the cat.' What we did was tie a stuffed animal to the fan. Then, we turned it on and ZOOM! The cat went flying.

Then I went home. We had pork-chops and rice for supper, but I didn't eat much because I didn't feel good. Then I watched Cosby Show, and went to sleep.

September 8, 1987
Today was a good day. In science we did an experiment. We looked at cheek cells and onion cells. I shared a microscope with Jennifer Kowalski.

Then, when I got home, I went over to my friends house. We played Atari for a while. Then I went home and ate.

September 9, 1987
Today wasn't to exciting. I just did the normal school routine, and went home. But, when I went home, I found out I got something in the mail. It was Gypsy Witch Fortune Telling Cards. How weird, huh?

September 10, 1987
Today wasn't to good either. At school, I couldn't wait to get home, but when I did, I was bored. Plain B-O-R-E-D! I just sat there doing nothing all day.

When my mom got home from work, we had supper. We had lasagna. Then we watched the Cosby Show. After that, I went to bed.

September 11, 1987
Today at school we didn't do anything special. But, I think it is very (times 15) strange that we have to memorize the Preamble for Science. Now what I want to know is what exactly what does the Preamble have to do with Science? Think about it.

When I got home, I called over Kevin Townes. We played for a while and then he went home, and I called Brian Hooper over. What I am about to write about is going to make you think I'm a kook, K-O-O-K. I tryed to hypnotize Brian! I had gotten this thing in the mail to hypnotize someone. You should have seen him. He could barely keep his eyes open. We probably would have succeeded had he not had to go to the bathroom.

Now, please don't think I'm strange or weird, or especially a kook. At least I have most of my marbles.

Monday, March 21, 2005

Sex dreams, part one



I was working on Beethoven the other day and found myself drifting off to places then and now. Suddenly a gasp came over me and I yelled, "Oh my god!" and ran from the keyboard.

"What's wrong?" he asked.

"I just remembered," I panted, "I just remembered a dream. I can't—I don't think I can prove it—but it just came back to me. Where it was, I don't know."

"What was it?"

"I used to. . . ," I began. "It's a long story. I used to, like, never have sexy dreams. When I was a kid. And that was before I'd had sex, so I wanted to. But it was like, every time I'd be about to have sex in a dream, something weird would happen, like the person would turn into a stuffed-animal like doll. Sometimes just 'down there,' sometimes his whole body.

"And sometimes," I continued, "it'd be weirder. Like he'd have two penises, or a deformed one, like super-tiny, and I'd be revolted and frightened, and then it'd become a scary dream. And so I thought, well, maybe I just haven't seen enough naked men, so my mind doesn't really know how to create them. So I used to try to find pictures of naked men—this was before the internet, of course.

"But of course I also thought it could be repression, my Catholic upbringing, something like that. Like I wouldn't allow myself to have sex in my dreams, 'cause it was a bad thing. And I used to have these dreams where I had all these tiny babies, like the size of your pinky nail. I'd have to hold them in my hand, and they'd be these little pink faces sticking out of these gauzy swaddling clothes, and there'd be ten or twelve I'd have to hold in my hand. But they were so small and light that they'd just fall between my fingers, and I'd have to bend over and pick them up, but then I'd drop some more, and I couldn't move without stepping on them and killing them. And then there'd be more and more in my hand, and I'd crush them holding them, and trample them and smush them into the floor, and it was terrible. One of my most frightening recurring dreams.

"I had this older friend, I think I've told you about him. He set up our friendship as sort of a mentoring thing. In truth, he was pretty fun to talk to. He liked playing psychologist, and I liked having the spotlight on his confessional couch. Anyway, I told him about this dream, and he was like, 'Huh. I vunder, deez baybeez . . . ' No, he didn't really have a German accent, but he was like,

"'These gauzy babies in your hand, they sound almost like sperm. And the fact that you can't stop yourself from killing them. . . . Well, that's really what you're doing, isn't it? Maybe this is how your body deals with the conflict between its biological impetus—to find a fertile egg, to make babies—and the reality: gay sex, masturbation.'

"It was preposterous, really," I explained, "but as I thought back the babies really were strange: filamenty, and really, as I considered it, like cartoonish sperm. Anyway, I never dreamt about the babies again."

Friday, March 18, 2005

Paragraphs of increasing sizes

Good god this is war!

I didn't want to appear stupid.

My ex turned into a skank and often wonders around outside our apartment.

His thoughtful face broke into smile, and he laughed. "You realize how unrealistic that is?"

No, I'll take it in the gut and try to turn it into love, but I hope you don't talk to anyone else like that.

And he asked, "When you fantasize, when you just let yourself just dream, where do you see things going?"

I'm one of those. In addition, I live in the Mission, I'm gay, and I'm searching. For meaning, for experience, for myself, for what it means to be a creative and loving person.

Aaaaarghhhh! It is so hard to do the right thing! How much good has it done to let wrong things lie sleeping? How much longer can we believe tacit is better than spoken?

I don't remember if he sat in the rocking chair and I sat on the couch or the other way around. I suspect he sat on the couch, and I chose the chair so we wouldn't be too close.

You must get a lot of applications from people who say they want to do something important, something that will make the world a better place, something that will make them feel good about themselves.

Now I sit and wait, half hoping for shit to hit the fan, for that email or phone call, so that I may raise within me the strength and courage to fight my own battle, so that then I may be ready to join the larger struggle.

My mischief conceals the guilt I feel for having said this to myself (more than once): "She's from a different time. She doesn't need to know." Also, a few times: "It's too late. It's not worth it." And: "It might upset her."

And I clenched my toes in my shoes and looked up into the dark corner of the ceiling. "I imagine," I said, "I mean, I know it's silly. But, I mean, I'd like to think he's the last. You know, I'd like to think we might stay together."

But I bit my tongue until you finally let it out: that you were coming up for a visit. I'm not sure how explicit you were, but it was more or less a warning -- not exactly this harsh, but a threat that things had better be in good shape.

Now sit there completely relaxed. Feel the relaxation in your body. Feel it all throughout your body. My every word enables you to feel even more relaxed. Deeper and deeper. Your body is heavy with relaxation. And yet you float.

Ominous phone "brings a message of death," the "most startling story ever told." Through little spiky plants on the ground, crispy wilting magnolia?, into a house past a splendid grand piano. Spotlight finds disco ball on top of tree, smoke, phone rings.

My doctor, Dr. Permanente, is a very big man. I was pretty sure I wasn't going to like him, even though our relationship had been built up over quite some time. I had paid him about $110 per month for the last year (this other guy, who tells me what to do at work, paid even more, I think).

We were driving toward Berkeley to meet Bob and his sister Liz when she had a sudden coughing fit. She had not eaten, so I knew she wasn't choking. Her coughing persisted, and she was trying to speak. Not knowing what to do, and expecting the fit to pass, I finally asked the question I thought would be too expected here, and therefore redundant and annoying: "Do you need some water?" And then: "Do you want me to stop?"

Monday, March 14, 2005

Donkey Buttboy Princess Wife: A Fairy's Tale



There once was a Donkey Buttboy Princess Wife. By Donkey I mean that he was by no means an exquisite creature. By Buttboy I mean that he was more scabbard than sword. By Princess I mean that he felt he ought to be waited upon. And by Wife I mean that he was, in fact, the one who did the waiting. And, dressed in sea-blue breeches and a sky-blue blouse, this Donkey Buttboy Princess Wife—let us call him D.B. or, better yet, Dib—was, of an evening, awaiting the return of his Prince.

As the last lazy ray of sunlight crawled out of the moat and began creeping toward the gently rolling horizon, there was a flurry of fanfare throughout the castle. The drawbridge was lowered, the portcullis was raised, and a dark man and a white stallion charged in, followed shortly thereafter by a twinkling cloud of dust. The Prince got down off his horse and handed the reins to the valet, who bowed his head. Dib, who stood leaning against the archway leading into the grand foyer, one arm up over his head, caressing the smooth wood there, tossed his bangs off of his forehead and laid bare his homely features.

"Dib," came the Prince's commanding voice, "approach."

This Dib did with great eagerness, failing to remember, once again, the uneven surface of the cobblestone courtyard, and flailing. In regaining his balance, his arms shot out past the cuffs of his shirt, and the brown hair of his lower arms could be seen even by Cook, who was peeking out of the kitchen door beyond the grand foyer.

"Your forgiveness, Highness," quailed Dib. "In my excitement at your coming I tripped and slipped." He bent to his knees and struggled to pull his shirt sleeves down.

"When was it otherwise?" the Prince replied.

"Once, Highness," Dib began, his gaze focused on the polished bulbs of leather covering the Prince's toes, "once, on an evening very much like this, though, as I recall, there were fewer evening stars, so that your eyes twinkled ever so less, I, in my excitement, failed to observe a rather large cobblestone, and stumbled and tumbled." As he spoke, Dib noticed a spot on the Prince's boot where, as it was, the rather large space which ought to have been filled with the reflection of his rather large nose was covered instead by a rather large patch of matte black road dust. He spat, then with his sleeve rubbed the boot clean.

"Oh, Dib," the Prince whispered, and Dib felt the toes stir to life below his palm. "Come," the Prince commanded.

And with a blush the valet led away the white stallion, and Cook closed the wooden door to the kitchen. Dib walked into the grand foyer, through the great dining room and past the long table, which was set for two, and then down a long carpeted hallway, at the end of which was a curtain that he pushed aside. The Prince, who had followed him, took out a great tasseled key and unlocked a door, which he opened and then closed as soon as Dib had crept inside.

And when they were finished, Dib said, "Now would you brush my hair?"

But the Prince, who lay beside him, was quiet. And Dib pulled the ivory-handled brush through his own mussed hair.

"Well, whatever should I wear?" Dib asked, only in part to himself. "Would you lay out my bedclothes, whichever you feel prettiest?" Dib said, batting his eyelashes.

But the Prince seemed not to hear. And Dib picked for himself a matching pair of lavender undergarments.

"Would you," Dib began, "I mean, because I'm so comfortably arranged here," and he gestured at the generous pillows against which he was propped, "would you mind, so terribly, fetching me a little something to wet the whistle?"

But of course the Prince had not heard, as he was asleep, and here he let out a slight snuffle of a disturbed snore. Dib sighed and got up off of the bed, placing his feet in fluffy ermine slippers. He trotted down the hallway, through the dining room and past the long table, and through the grand foyer and into the kitchen, where he found in the ice box a bucket of milk, from which he drank hungrily. Then he returned to the bed chamber, making sure to close the door behind him, and crawled into bed next to the Prince, who was warm, but not too warm, to Dib's touch.

And in the morning Dib awoke to the valet drawing the curtains, and the Prince was gone, and the white stallion too, of course, and Dib fidgeted about in the pillows and blankets until he could stand it no longer, and then he laid out for himself an outfit in peach and tangerine. And then, being careful to close the door to the bed chamber behind him, he walked out through the hallway into the great dining room and ate the meal that Cook had prepared. And then, pushing the silver plate away, he got up and walked, with no particular rapidity, to the courtyard, where he leaned against the great oaken archway and looked toward the portcullis, which, of course, still shone with the light of afternoon behind it.

And Dib waited, and waited, and waited, and then, after what seemed a longer time than it actually was, but long after the Prince had returned that evening, and even the next, he lived happily ever after.

Sunday, March 13, 2005

Les petites crusades

That's the name of the game. The little battles.

Here is my first, submitted to the Comments section of a local restaurant's website:

I think you guys are great, but I noticed your advertisement on Craigslist for a host or hostess. You set a time for a cattle call, but you give no indication of the hours, salary, or benefits you offer. I realize that there are more jobs than people around here and that you can get away with this recruitment method. But I also think you should be more considerate of your potential employees.

Ooh I already feel le petit monde change around me!

Friday, March 11, 2005

Out, out, damned Apology!

Let me clear a few things up:

I recently apologized to a relative, who sent the following quote to several of her contacts via email:

I would rather live my life as if there is a God, and die to find out there isn't, than live my life as if there isn't, and die to find out there is.

I found the quote strangely interesting. So many quotes and thoughts that come through mass emailings are easily classifiable (funny, feel-good, political, religious), and you can read them, enjoy them, and let them go. But this one required more, so I googled it and discovered that the quote was from Albert Camus. That began a small trail of investigation, and I replied-all with the following:

Interestingly, the same man (Albert Camus) also said this:

"If there is a sin against life, it consists perhaps not so much in despairing of life as in hoping for another life and in eluding the implacable grandeur of this life."

This is reminiscent of Joseph Campbell, who says this:

"Eternity has nothing to do with the hereafter... This is it... If you don't get it here, you won't get it anywhere. The experience of eternity right here and now is the function of life. Heaven is not the place to have the experience; here's the place to have the experience."


Through a series of mix-ups -- an email from one of her contacts who didn't appreciate getting a follow-up from me, mostly a stranger, followed by a phone conversation with another family member who told me that yet another relative thought my email was a little "too strong" -- I decided I had done something bad, so I sent an apology (mildly edited here) to the relative who sent the original quote:

I realize that my reply may have come off in several unintended ways: aggressive, corrective, combative, pompous... Something about the quote got my attention, so I googled it, and was surprised to find it was Camus (who I sort of thought I remembered as a crazy probably-atheist French philosopher), and that led to another quote and then another quote. (I just discovered Joseph Campbell, so he was fresh in my mind.)

I'm sorry if I was a wet blanket! Some part of me probably wanted to stir the pot just a little, but I didn't mean to be a jerk!


I haven't heard back, so I'm not sure whether the apology bounced off or was absorbed.

And I still mean it, a little.

But I think the apology has another side. I think I was actually apologizing for acting outside of my family's norms, for rocking the boat. An email which should have been left alone was not. Things which shouldn't have been said were. I wrote with a closeness, a friendliness, that did not exist. And it upset things. And forces bore down on me and compelled me to apologize and try to place myself back in my spot.

To some extent this tiny incident haunts me because it reminds me of another email incident within my family. I got this one April day:

I'm happy that you found someone, but you know how I feel - from a religious stand point, I still pray that someday a wonderful woman will come by and knock your socks off, but I do love you either way!

My response came naturally and immediately:

I cannot believe you said that. Have you felt that way this whole time? Have you thought about what it means to say that to someone? I cannot have meaningful relationships with people who do not accept homosexuality in myself or anyone. I do not allow them in my life.

A few days later he apologized for offending me and I apologized (and included a little anti-righteousness sentiment):

I'm sorry if I made it sound like I had completely written you off. I wrote that last email very rapidly and out of complete shock. And then for a while I had trouble figuring out how we could get along without you wanting to change me and me wanting to change you.

And then I realized that I'd be very happy if your prayers were for God to do His will with me, whatever that may be. And I can do likewise, so we can leave it all up to Him and not our own perception of what's right and wrong or better or best.


Here again we were bent back into shape by forces larger than ourselves. These apologies do not achieve a deepening of our relationship; they only ensure that we can smile at each other and say more than "Hi!" at family gatherings. They are admissions that we were way out of line, that we got far too close to the flame of truth and intimacy in the oven of human connection.

When I first decided to write, I figured I would move toward a retraction of these two apologies, which would of course be fun and dramatic, shake things up, you know? But I also thought it would be the right thing to do. Now I realize that the issue is more complex, and I see that more is at stake. And I begin to realize that these apologies are actually hints at a conversation that could exist. We decide, somehow, how close we want to be to people we meet. The issue becomes more complicated when blood is involved. The dangerous moments described here are flashes of possibility. Yes, we could be close. We could even love one another.

Monday, March 07, 2005

House-breaking Beethoven

This is just to say that I've almost beaten the third movement of the Moonlight Sonata into submission. It is a part of my past, an old foe-lover. This Presto agitato is behind the Beethoven that has been on my mind these last weeks.

I've gone as far as it seems possible with the first movement of the Pathetique, and now I'm bored or frustrated. The slow majestic opening is still beautiful, but the fast bits just don't make much sense. Is it a race? A contest?

And even the Moonlight presto gets tiresome, and one wonders why we bother racing up those chords anyway. And when I am playing it, I think of Waldstein, Apassionata, Tempest, Hunt, and I think, "Ah, yes, there are the challenges." Maybe I'll beat them all one day.

A new theory. When you are a serious pianist, you shy away from hand pain. Could be tendonitis or carpal tunnel. And then you could become one of those one-handed concert pianists who makes his semi-triumphal return to two-handed pieces in his late seventies. But when you're not serious, then you can hypothesize that the reason you were never very good was that you never practiced past that point of discomfort, where your tendons were trying to show you, through a little pulsating alert, that they were growing and would soon be able to handle those sixteenth-note octave runs.

So I beat Beethoven into submission. Who needs hands?

I should mention also that I've recently purchased a number of operas on DVD, and I hope soon to write about a few voices: Roberto Alagna, in Romeo and Juliet, who is steel in a chubby-baby face; Raul Gimenez, with Cecilia in La Cenerentola, who is that sharp, clear diamond just between the eyes; and Jessye Norman in Ariadne. Inside I am writing tomes about her, and about Ariadne, which may soon become my second-favorite opera next to Ghosts of Versailles. I will tell you more about Jessye and Ariadne later. Here is a preview: love and death.

Tuesday, March 01, 2005

Ah, March.



The palace is unfrozen.

Those birds that brought the kingdom such joy throughout the cold, wet winter now fly toward colder, wetter lands to sing their warm songs.

On their way they whisper greetings to the southern princess, who has seen another year as well.